View more images
LP Udu Drums possess distinct tonal qualities because of their earthen nature. Their clay construction is based upon centuries-old African traditions. The name 'Udu' has been derived from the Nigerian Ibo language, meaning 'pottery'. Each LP Udu Drum offers different sounds because of their different shapes. They can be played by hitting any part of the drum with the palm of the hand or the fingertips, and the textured surfaces provide additional tonal variations by creating rubbing sounds. Udu's are very delicate, intimate instruments, but a pre-made microphone port allows for a small mic to be inserted so volume does not become an issue. Udu drums are generally played in a seated position with the drum on the player's lap. They can also be played on a table top or floor using the included straw ring stands.The Claytone #1 Udu is 12" x 8". The teardrop shape creates wet, liquidy sounds and is easy to hold and play.
LP Udu Drums possess distinct tonal qualities because of their earthen nature. Their clay construction is based upon centuries-old African traditions. The name 'Udu' has been derived from the Nigerian Ibo language, meaning 'pottery'. Each LP Udu Drum offers different sounds because of their different shapes. They can be played by hitting any part of the drum with the palm of the hand or the fingertips, and the textured surfaces provide additional tonal variations by creating rubbing sounds. Udu's are very delicate, intimate instruments, but a pre-made microphone port allows for a small mic to be inserted so volume does not become an issue. Udu drums are generally played in a seated position with the drum on the player's lap. They can also be played on a table top or floor using the included straw ring stands.The Claytone #2 Udu is 13" x 9", and slightly deeper in tone than the #1. The teardrop shape creates wet, liquidy sounds and is easy to hold and play.
LP Udu Drums possess distinct tonal qualities because of their earthen nature. Their clay construction is based upon centuries-old African traditions. The name 'Udu' has been derived from the Nigerian Ibo language, meaning 'pottery'. Each LP Udu Drum offers different sounds because of their different shapes. They can be played by hitting any part of the drum with the palm of the hand or the fingertips, and the textured surfaces provide additional tonal variations by creating rubbing sounds. Udu's are very delicate, intimate instruments, but a pre-made microphone port allows for a small mic to be inserted so volume does not become an issue. Udu drums are generally played in a seated position with the drum on the player's lap. They can also be played on a table top or floor using the included straw ring stands.The Hadgini Udu certainly has a unique look. Two sound chambers (one round and low in pitch, the other triangular and high in pitch) are connected by a v-shaped air chamber which rests between the player's legs. The round chamber provides bass tones, while the triangular chamber provides thin, transparent tones; together, this instrument is very similar to tabla drums. A mic port is available for each chamber.
LP Udu Drums possess distinct tonal qualities because of their earthen nature. Their clay construction is based upon centuries-old African traditions. The name 'Udu' has been derived from the Nigerian Ibo language, meaning 'pottery'. Each LP Udu Drum offers different sounds because of their different shapes. They can be played by hitting any part of the drum with the palm of the hand or the fingertips, and the textured surfaces provide additional tonal variations by creating rubbing sounds. Udu's are very delicate, intimate instruments, but a pre-made microphone port allows for a small mic to be inserted so volume does not become an issue. Udu drums are generally played in a seated position with the drum on the player's lap. They can also be played on a table top or floor using the included straw ring stands.The Mbwata Udu has two sound chambers connected by a very short neck. The larger, lower chamber makes dry, low, earthy sounds. The smaller chamber on top provides higher, glassier sounds. This instrument will certainly become a conversation piece amongst fellow musicians and friends.
LP Udu Drums possess distinct tonal qualities because of their earthen nature. Their clay construction is based upon centuries-old African traditions. The name 'Udu' has been derived from the Nigerian Ibo language, meaning 'pottery'. Each LP Udu Drum offers different sounds because of their different shapes. They can be played by hitting any part of the drum with the palm of the hand or the fingertips, and the textured surfaces provide additional tonal variations by creating rubbing sounds. Udu's are very delicate, intimate instruments, but a pre-made microphone port allows for a small mic to be inserted so volume does not become an issue. Udu drums are generally played in a seated position with the drum on the player's lap. They can also be played on a table top or floor using the included straw ring stands.The Tambuta Udu has a large, flattened sound chamber with an extended neck coming out the side. This unique shape gives this udu a lot of short, poppy sounds, while the extended neck allows pitch/timbre to be greatly manipulated by the other hand.
LP Udu Drums possess distinct tonal qualities because of their earthen nature. Their clay construction is based upon centuries-old African traditions. The name 'Udu' has been derived from the Nigerian Ibo language, meaning 'pottery'. Each LP Udu Drum offers different sounds because of their different shapes. They can be played by hitting any part of the drum with the palm of the hand or the fingertips, and the textured surfaces provide additional tonal variations by creating rubbing sounds. Udu's are very delicate, intimate instruments, but a pre-made microphone port allows for a small mic to be inserted so volume does not become an issue. Udu drums are generally played in a seated position with the drum on the player's lap. They can also be played on a table top or floor using the included straw ring stands.The Undongo II Udu has two uniquely shaped sound chambers connected by a very short neck. This udu has the most extreme range of textures because of the shape of the sound chambers. The larger, rounder chamber makes dry, low, earthy sounds. The smaller chamber on top provides higher, glassier sounds.
LP Udu Drums possess distinct tonal qualities because of their earthen nature. Their clay construction is based upon centuries-old African traditions. The name 'Udu' has been derived from the Nigerian Ibo language, meaning 'pottery'. Each LP Udu Drum offers different sounds because of their different shapes. They can be played by hitting any part of the drum with the palm of the hand or the fingertips, and the textured surfaces provide additional tonal variations by creating rubbing sounds. Udu's are very delicate, intimate instruments, but a pre-made microphone port allows for a small mic to be inserted so volume does not become an issue. Udu drums are generally played in a seated position with the drum on the player's lap. They can also be played on a table top or floor using the included straw ring stands.The Utar Udu has the lowest pitch of the whole udu family. The shell has the ability to create very "cowbell-like" sounds, while the bell sound chamber creates mostly high-pitched, wet tones.
Small Ganza
Large Ganza
The LP Small Caxixi is a hand-woven, basket-style shaker with a rugged plastic bottom and a fill opening for customization. The sound of this shaker varies between the fill striking against the hard plastic bottom for loud sounds or against the softer, woven basket side for lighter sounds.The Caxixi shaker is found across Africa and South America, but mainly in Brazil.
Large Caxixi
Large Double African Shaker
Talking Drum - MediumLP Talking Drums have the unique ability to modulate (change) pitch. This can be accomplished by holding the drum under the arm (or between the legs) and squeezing and releasing the cords on the side as the head is struck. * Tension cord is made of special material to resist stretching while providing a comfortable feel * Stringing the cords at the skin wire increases tuning sensitivity * Crafted of kiln dried, environmentally friendly Siam Oak * Exclusive, dual purpose skin wire and rim design for effortless playing eliminates “head squeak” * Specially selected rawhide heads are hand sewn for authentic sound and feel and are easily replaced
Talking Drum - LargeLP Talking Drums have the unique ability to modulate (change) pitch. This can be accomplished by holding the drum under the arm (or between the legs) and squeezing and releasing the cords on the side as the head is struck. * Tension cord is made of special material to resist stretching while providing a comfortable feel * Stringing the cords at the skin wire increases tuning sensitivity * Crafted of kiln dried, environmentally friendly Siam Oak * Exclusive, dual purpose skin wire and rim design for effortless playing eliminates “head squeak” * Specially selected rawhide heads are hand sewn for authentic sound and feel and are easily replaced
This clay udu is smaller than the traditional udu drums LP offers, but is still hand-crafted. This instrument would make a great gift for somebody who enjoys the exotic.
This cute little djembe is made of siam oak, has chrome-plated hardware, and is fully tunable just like the real deal!
The Meinl Bougarabou is made in the tradition of the Jola people of southern Senegal. The classic bougarabou features an elongated goblet-shaped body carved from a solid piece of Mahogany Wood, as well as a hand-selected cow head. A bougarabou can be played with traditional conga or djembe techniques, and makes a rich complement within drum ensembles.
Meinl African Talking Drums are carved from a solid piece of Mahogany. With two goat skin heads and nylon rope tied in the traditional manner, these instruments exemplify the combination of ancient and modern crafting techniques. This drum is held under one arm and played with a specially-designed curved stick - the 'talking' happens as you squeeze the strings with your arm, which in turn tightens the heads, allowing you complete control of pitch. The carved motif around the drums give them a great visual appeal that will set people 'talking'.
Meinl 7" x 12" African Talking Drums are carved from a solid piece of Mahogany. With two goat skin heads and nylon rope tied in the traditional manner, these instruments exemplify the combination of ancient and modern crafting techniques. This drum is held under one arm and played with a specially-designed curved stick - the 'talking' happens as you squeeze the strings with your arm, which in turn tightens the heads, allowing you complete control of pitch. The carved motif around the drums give them a great visual appeal that will set people 'talking'.
Meinl 9" x 20" African Talking Drums are carved from a solid piece of Mahogany. With two goat skin heads and nylon rope tied in the traditional manner, these instruments exemplify the combination of ancient and modern crafting techniques. This drum is held under one arm and played with a specially-designed curved stick - the 'talking' happens as you squeeze the strings with your arm, which in turn tightens the heads, allowing you complete control of pitch. The carved motif around the drums give them a great visual appeal that will set people 'talking'.
Meinl Darbukas come from the same geographical points of origin as doumbeks; the main difference is the flat rim around the head rather than a rounded rim. The thin metal shells of these Turkish drums give them a lot of resonance, while their shape allows cutting high tones and fat low tones. The head is secured and tuned with external rings set close to the shell. Meinl aluminum darbukas give you the most 'buka' for your buck - the metal provides a good sound at a fraction of the cost of more expensive metals. A synthetic head and tuning key are also included.
Meinl Darbukas come from the same geographical points of origin as doumbeks; the main difference is the flat rim around the head rather than a rounded rim. The thin metal shells of these Turkish drums give them a lot of resonance, while their shape allows cutting high tones and fat low tones. The head is secured and tuned with external rings set close to the shell. Meinl aluminum darbukas give you the most 'buka' for your buck - the metal provides a good sound at a fraction of the cost of more expensive metals. These shells are also hand-hammered to give the drum an intriguing visual effect. A synthetic head and tuning key are also included.
This Darbuka has a hand engraved aluminum shell with an 8" synthetic head securely tuned with external rings set close to the shell. It is light weight but powerful and effective. It provides a wide range from low bass tones to high pitched articulate tones.
Meinl Darbukas come from the same geographical points of origin as doumbeks; the main difference is the flat rim around the head rather than a rounded rim. The thin metal shells of these Turkish drums give them a lot of resonance, while their shape allows cutting high tones and fat low tones. The head is secured and tuned with external rings set close to the shell. The copper shell of this drum is hand-engraved, providing a beautiful, dark timbre and visual aesthetic. A natural rawhide head is included for authenticity, as well as a tuning key.
Meinl Darbukas come from the same geographical points of origin as doumbeks; the main difference is the flat rim around the head rather than a rounded rim. The thin metal shells of these Turkish drums give them a lot of resonance, while their shape allows cutting high tones and fat low tones. The head is secured and tuned with external rings set close to the shell. The copper shell of this drum is coated with brass plating which is hand hammered, giving this drum a unique timbre and a beautiful gold-like visual effect. A synthetic head and tuning key are also included.
Meinl Darbukas come from the same geographical points of origin as doumbeks; the main difference is the flat rim around the head rather than a rounded rim. The thin metal shells of these Turkish drums give them a lot of resonance, while their shape allows cutting high tones and fat low tones. The head is secured and tuned with external rings set close to the shell. Meinl aluminum darbukas give you the most 'buka' for your buck - the metal provides a good sound at a fraction of the cost of more expensive metals. These shells are also hand-hammered to give the drum an intriguing visual effect. As a final touch, jingles are built into the shell, which adds a fantastic timbre to this already very exotic instrument. A synthetic head and tuning key are also included.