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The Audix D2 is an excellent choice for rack toms, congas, saxophone and brass instruments. It is characterized with a hypercardioid pickup pattern for isolation and feedback control. The VLM diaphragm provides natural, accurate sound reproduction.The D2 is sturdy, compact and easy to position. The frequency response of 44 Hz – 18 kHz provides clear, natural sound reproduction without having to rely on EQ. Roadworthy construction includes precision cast zinc alloy body, steel grill, black e-coat finish, laser etched model and serial number, Switchcraft XLR connector and includes a heavy duty nylon mic clip.Transformerless design low impedance and balanced output allow for interference-free performance even with long mic cable runs.
The Audix D4 is an excellent choice for large rack toms, floor toms, cajon, djembe, timpani, and small kick drums. It is characterized with a hypercardioid pickup pattern for isolation and feedback control. The VLM diaphragm provides natural, accurate sound reproduction.The D4 is sturdy, compact and easy to position. The frequency response of 40 Hz – 18 kHz provides clear, natural sound reproduction without having to rely on EQ. Roadworthy construction includes precision cast zinc alloy body, steel grill, black e-coat finish, laser etched model and serial number, Switchcraft XLR connector and includes a heavy duty nylon mic clip. .Transformerless design low impedance and balanced output allow for interference-free performance even with long mic cable runs.
The Audix D6 is an excellent choice for bass drum, large toms and bass cabinets. It is characterized with a cardioid pickup pattern for isolation and feedback control. The VLM diaphragm provides natural, accurate sound reproduction.The D6 is sturdy, compact and easy to position. The frequency response of 30 Hz – 15 kHz provides clear, natural sound reproduction without having to rely on EQ. Roadworthy construction includes precision cast zinc alloy body, steel grill, black e-coat finish, laser etched model and serial number, Switchcraft XLR connector and includes a heavy duty nylon mic clip. .Transformerless design low impedance and balanced output allow for interference-free performance even with long mic cable runs.
The DP Elite 8 is the top of the line drum package from Audix. It is a great addition to any drummer or sound engineer’s bag of tricks. Worthy of live and studio needs, it includes 8 of Audix’s best drum mics!The Audix DP5A includes:
The Audix DP5A is great addition to any drummer or sound engineer’s bag of tricks. 5 of Audix’s best drum mics are packaged together to make your drums sound their best!The Audix DP5A includes:
The Audix DP7 is great addition to any drummer or sound engineer’s bag of tricks. Worthy of live and studio needs, it includes 7 of Audix’s best drum mics!The Audix DP5A includes:
The Audix DVICE flexible gooseneck with rim mounted drum clamp is very useful for mic positioning. Works well with Audix D-series, micro series and most other mics. Will also work with other mic clips using 5/8” thread.
Audix has designed attractively priced packages for the up and coming professionals. The Fusion series represent a breakthrough in performance for cost effective microphones. They are designed, assembled and tested by Audix in the USA. The Audix FP5 includes:
Audix has designed attractively priced packages for the up and coming professionals. The Fusion series represent a breakthrough in performance for cost effective microphones. They are designed, assembled and tested by Audix in the USA. The Audix FP7 includes:
The Audix f2 Fusion Series mic is a designed for rack toms, congas and djembes. Characterized with a tailored frequency response of 52 Hz – 15 kHz. A hypercardioid pick-up pattern helps minimize feedback and isolate the instrument from ambient sound coming from outside sources.The f2 is compact and roadworthy featuring a cast zinc alloy body and steel mesh grill.Low impedance and balanced output allow interference free performance even with long cable runs.Three Year Warranty
The Audix f5 Fusion Series mic is a ideal for snare drums, toms, percussion instruments and acoustic instruments. Characterized with a tailored frequency response of 55 Hz – 15 kHz. A cardioid pick-up pattern helps minimize feedback and isolate the instrument from ambient sound coming from outside sources.The f5 is compact and roadworthy featuring a cast zinc alloy body and steel mesh grill.Low impedance and balanced output allow interference free performance even with long cable runs.Three Year Warranty
The Audix f6 Fusion Series mic is a ideal for bass drums requiring punchy bass, attack and definition. Characterized with a tailored frequency response of 40 Hz – 16 kHz. A cardioid pick-up pattern helps minimize feedback and isolate the instrument from ambient sound coming from outside sources.The f6 is compact and roadworthy featuring a cast zinc alloy body and steel mesh grill.Low impedance and balanced output allow interference free performance even with long cable runs.Three Year Warranty
The Audix f9 is a small diaphragm condenser mic known for it’s clear accurate response. A wide cardioid pick-up pattern alone with high sensitivity allows for close micing as well as overhead and distant micing. Characterized with a frequency response of 40 Hz – 20 kHz the f9 works well as a hi-hat mic or for use as a cymbal overhead mic.The f9 features a durable cast zinc alloy body.Low impedance and balanced output allow interference –free performance even with long cable runs. It operates o phantom power of 12-48 Volts.
The Audix i5 is a great choice for snare drum, percussion, horns, guitar amps., and even vocals! It is characterized with a cardioid pickup pattern for isolation and feedback control. The VLM diaphragm provides natural, accurate sound reproduction.The i5 is sturdy, compact and easy to position. The frequency response of 50 Hz – 16 kHz provides clear, natural sound reproduction without having to rely on EQ. Roadworthy construction includes precision cast zinc alloy body, steel grill, black e-coat finish, laser etched model and serial number, Switchcraft XLR connector and includes a heavy duty nylon mic clip.
Element; Moving Coil Dynamic, Polar Pattern: Cardioid, Frequency: 60 – 17,000 Hz, Senstivity: -72Db +/- 3 dB, (0 dB = 1 ubar @ 1KHz), Impedance: 250 Ohms +/- 30% (@ 1 KHz), Switch: Sliding On/Off, Maximum Input SPL: 135dB SPL, (1 KHz (calculated), Signal to Noise Ratio: Over 65 dB, Connector: XLR, Material: Zinc die cast
The Dynasty DMC110 is a mini-condenser microphone ideal for close miking instruments. Designed initially for drum miking, the DMC110 is also well suited for miking individual wind instruments such as saxophone, trombone, or trumpet. The mini-condenser comes with a shock mount mini-gooseneck clip which provides easy placement and a very low profile. This allows the performer to clip the microphone directly to the instrument and keep the mic close to the sound source to minimize bleed from surrounding instruments. The DMC110 comes with a built in extension cable and XLR connector. While its uses are virtually unlimited, the DMC110 work ideally for individually miking toms or snare drums, hand drums, or small clusters of percussion instruments such as temple blocks. The DMC110 requires phantom power, available on most mixing boards.
Short mic boom arm. Black finish with shock mount.
A mounting mic arm with fast clamp that attaches to tubes up to 1.5" diameter.
Prevents vibration transfer to microphone. Fits standard mic holders and boom arms.
Cardioid Dynamic Microphone, Industry Standard for Vocal and Instrument Miking. Frequency Response 40-14,000 hz
Small Diaphragm Cardioid Condenser Mic, Requires Phantom Power, Rugged Build Quality, Built-n 10db Pad and Low End Roll Off. 20-20,000 Hz Frequency Response
Small Diaphragm Cardioid Condenser Mic Required Phantom Power but Will Run On AA Batteries, 40-16,000 Hz Frequency Response (A good Lower Cost Alternative To SM81)
UHF Handheld Wireless Microphone System. Includes ULXS4 Receiver and SM58 Hand Held Microphone Transmitter. (When Ordering Multiple Mics Frequency Range Has To Be Alternated)
The Yamaha SubKick Low-Frequency Capture Device is a new breed of subfrequency (below 100Hz) capture devices designed to bring out the natural sound of bass drums and floor toms. SubKick uses the natural microphonic qualities of a 6-1/2" woofer shockmounted inside a 7-ply birch/mahogany shell. Mesh heads are mounted on the outside, which adds a tiny bit of sustain. The natural resonance of the shell combined with the heads and loudspeaker create an awesome subfrequency sound that must be heard to be believed. The SubKick works great by itself or can be used together with other drum mics. An XLR output makes for easy hookup.The SubKick Device was designed by Yamaha Drum Artist Russ Miller, who was looking for a mic system that allowed the uncolored sound of the bass drum and floor toms to come through. Finally the full force of the drum set's low end performance is realized with SubKick.Yamaha SubKick Low-Frequency Capture Device Features: * 6-1/2" woofer (frequency response 20Hz-8kHz) * 10" black mesh heads * 7-ply birch/mahogany shell * XLR output (no phantom power required)
