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The Pro-Mark Small Pad Bag incorporates a practice pad permanently affixed to the exterior of the bag. This eliminates the need for a drummer to carry a separate pad in addition to his/her stick bag.
The Pro-Mark Large Pad Bag incorporates a practice pad permanently affixed to the exterior of the bag. This eliminates the need for a drummer to carry a separate pad in addition to his/her stick bag. The PB20 is the large version of the PB10 Pad Bag and is equipped with a sturdy and comfortable shoulder strap.
ThePro-Mark ATWHI Ameritape is perfect protection for your favorite sticks during marching season. Preventing splintering your perfect pitch-matched pair will prove invaluable come show time! Single Roll Dimensions:
Designed by Rick Latham. The Crystal Ball produces a big sound with more fundamental low end. Drum! Magazine’s Product Review section gives the Crystal Ball a "thumbs up" approval! Lifetime guarantee.
The Promark Cymbal Bag (CC10) holds up to 22" cymbals, 15" hi hat and has an additional pocket for sheet music.
The Pro-mark DK30 Low Torque Ratchet Drum Key is designed primarily for use on low tension drums such asdrum set, concert toms, concert bass drums etc. This ratchet key features a comfortable rubber grip that is formed over a steel handle.The DK30 is built to automotive tool standards with a steel handle that is easily gripped and is very strong. Movement is fully reversible with the flip of a switch.
The Pro-mark DK40 High Torque Ratchet Key is designed for the extreme demands of marching percussion. The key features a 2" long bit enabling access around the snare feet on marching snares from all manufacturers.The DK40 features comfortable rubber grips over a tool-steel handle. It's built to automotive tool standards which means that it is exceptionally rugged and will stand up to the most demanding conditions. The key is fully reversible with the flip of a switch.
The Promark Deluxe Drumstick Bag is made of nylon with a soft fleece interior. Three stick pockets hold 10-12 pairs of sticks/mallets, while two accessory pockets (interior and exterior) hold any extra gear. Also features loops with hooks for hanging from instruments.
The Promark Standard Stick Bag is made of cordura, includes two stick pockets that can hold 10-12 pairs of sticks/mallets, an exterior accessory pocket, and loops with hooks for hanging on instruments.
The Tom Freer Extra Hard Chamois Bass Drum Mallets feature a hickory shaft and extra hard chamois over small maple core. Perfect for Stravinsky's Rite of Spring and any part that requires fast rhythmic clarity. These mallets were designed for rhythmic clarity, speed and weight of sound. Since there is no wooden ball on the butt end and no taper in the middle, your hand is free of any obstructions and your grip options are unlimited. Sold in pairs.
The Tom Freer Large Chamois Bass Drum Mallet features a hickory shaft in an extra hard general mallet. As a single mallet, recommended for any loud passages that require a hard, bright and clear sound. Recommended to be used in pairs for slower rhythmic passages that require a very hard stick that gives you clarity and extra weight. Sold individually
The Tom Freer General Bass Drum Mallet by Pro-mark features a Hickory shaft in a medium, general mallet. 3mm thick tight American felt over large maple core with weighted insert for a clean and full sounding daily general mallet. Also recommended in pairs for rhythm and rolling. Sold individually
The Tom Freer Soft Heavy Bass Drum Mallet by Pro-mark features a Hickory shaft with extra large head and German felt covering, soft heavy. German felt over extra large maple core. A VERY top heavy mallet that can produce depth and presence from the softest notes, and more power than you'll ever need for loud notes. It is particularly good on larger drums and can get to the bottom of even the deepest bass drums. Its combination of weight, balance and soft German felt covering is what makes the listener feel the sound of the bass drum as well as hear it. Sold individually
The Tom Freer Bass Drum Rollers by Pro-mark are general synthetic wool rollers on a hickory shaft. Soft synthetic fur covering over large maple core with weighted insert. This is your daily "go to" roll mallet with similar specs to the #3 and #4 models, but with a ball covering of synthetic fur. They are also very good mallets for soft notes. Sold in pairs
The Tom Freer Large Bass Drum Rollers by Pro-mark feature a large disc head on an aluminum shaft. With the aluminum shaft, large disc head with synthetic fur covering and rubber grip, they are totally different mallets from the #6W's. Any soft rolls, like the beginning of Stravinsky's Firebird, sound completely stroke-less and have a subwoofer effect. #7's are also great for soft or loud solo notes. Sold in pairs.
The Fausto Cuevas ‘Rumbero’ timbale stick is made of American hickory and is designed primarily for timbales. It features two rounded ends and a 6 inch “Natural®” grip area. The Fausto Cuevas “Rumbero” model is sold 2 pairs to a package.Length: 16 1/2”Diameter: 0.485”
The unique features of the Pro-mark Tom Freer Chime Malletsare evident in all aspects of their construction and sound. The material used in the mallet head has a clean sound with no tick at all and is the perfect weight, diameter and length. The shaft is hickory and is oval shaped yet fairly flat so it's comfortable to grip and play. One side has a thin felt disc covering for cushioning the attack of soft notes and the other side is left uncovered for mf to f playing. Most importantly the assembly of the head to the shaft is made by using expanding foam glue and a screw so that you will never experience any separation between the two and noise this can cause.
Hickory shaft with two toned soft/hard double sided covering over new felt core. The DS2 is a timpani mallet based on the extremely popular 1A (Mahler III) bass drum mallets. It uses the same Freer-designed double seam method on a 1.5” felt core, with hard green felt on one side and very soft white German felt on the other. These sticks have become a real necessity for many timpanists, useful for a multitude of pieces requiring fast switches. Sound ranges from general to medium hard.
Bamboo shaft two toned maple core double sided mallet. Wood disc core with felt on one side. Identical to DS4 Hickory only with bamboo shaft. Same as DS4B but permanently mounted on a bamboo shaft. They are perfect for the Carter March, Don Juan, Enigma Variations and any other piece where a quick change between a general stick and wood is required.
IMPROVED! Small gray with brass insert on rattan shaft.. Same ball and insert as before but with the insert actually inverted /inserted from the bottom. This gives the K11 a better feel and appearance with greatly increased strength and durability. The K11 creates a slightly softer and warmer sound than the K10. They are excellent on glockenspiel in particular but also xylophone as well. (Stravinsky, Debussy, etc.). Also useful on other percussion instruments.
Fiberglass shafts with wood core and very hard woven felt covering with maraca beads in shaft. The Freer Maraca Stick has shaft made of fiberglass for better sound, better balance, and more maraca sound than other maraca sticks on the market. This is the only maraca mallet that actually gets some rebound off of the head and gives an equal ratio of timpani and maraca sound. A thin rubber grip gives you great control, and a very special type of bead on the inside of the mallet gives a much stronger maraca sound similar to that of an egg shaker. For West Side Story, or Raise The Roof, or any other piece where you want an excellent maraca AND timpani sound—these are what you are looking for.
The Freer Deluxe Triangle and Accessory Station gives you a very strong platform for several triangles, crotales, wind chimes, or whatever you need-it's even strong enough to hang a car spring on.The single piece angled aircraft-grade aluminum mounting bar comes ready to mount on a cymbal stand with either 6mm or 8mm-size threads, and it is an easy installation...just put it on the stand and then tighten your wing nut on top.
The FTB1S triangle beater is made of stainless steel and is articulate. It is particularly good for brass triangles such as Buddy and Thein. The tapered front tip facilitates dynamic playing especially in soft to loud rolls and has a soft latex rubber grip for comfort. The Freer FTB1S triangle beater is also available in brass.
IMPROVED! Long hickory shaft with extra large double sided wood disc head. A new double thick liner felt is now used on the white/soft side to create a greater difference and contrast in sound from the harder green side. The Freer 50/50 DS Tam Tam Beater uses Freer Double-Seam technology to give you a two-surface mallet head. It has hard green German felt on one side of the head and soft white German felt on the other side. The long hickory handle and the heavy head make this a very unique and versatile beater for all tam tams larger than 26” in diameter. This is the choice for players who are looking for the one beater that will be their daily “go to” mallet. It’s built to last a lifetime.
Bamboo shaft extra hard staccato wood core with hard felt. The Freer US1B has a new wood core for better surface contact and more consistent sound. The small-ball core shape, hard-felt covering, and high-quality bamboo shaft give you a staccato mallet with a full yet tight and clean sound.
Hickory shaft , convex felt core extra hard staccato mallet. The hickory shaft on the original Freer US2 has been slightly beefed up in the neck and handle areas for less vibration, higher pitch, slightly increased weight, and better balance. The edges of the felt core are now more rounded providing better surface contact and a more consistent sound. An extreme version of a Cloyd Duff #2, the hard-felt core and covering of the Freer US2 make it a great rhythm stick for Beethoven, Bartok, Stravinsky, or any other music where you want an articulate and clean sound.
Bamboo rollers with ball covering. With a totally new core and covering that gives you even less contact sound, even less stroke sound, and even more fundamental than earlier versions of this model. They are best for solo rolls of any kind, at any volume—a perfect stick for the Bartok 2nd piano concerto, any Sibelius, and of course the Brahms 1st piano concerto. The specially designed core and covering system makes this stick extremely soft yet clean sounding without slap or contact noise. It always sounds legato and strokeless and smooth.
General Use Synthetic Felt Concert Bass Drum Mallet
