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Concerto No. 2 by David R. Gillingham

Model # 11852 By: C. Alan Publications
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  • Overview

  • Item Details

    Marimba Solo with Piano Concerto No. 2

    Composed by David Gillingham

    The Concerto for Marimba is a commission by a consortium of schools and performers headed by Professor Marc Wooldridge of Northwestern College, Orange City, Iowa. The work exploits the full range of the technical and expressive ability of the five-octave concert grand marimba. It is cast in the standard three-movement format. The first movement uses sonata-rondo form and begins with a slow introduction and quasi-cadenza by the marimba. An animated first theme follows in G-minor accompanied by clarinets and tambourine. A contrasting second theme area follows featuring chromatic mediant progressions and descending chromatic lines. The return of the first theme utilizes a slightly different accompaniment. The development section reworks all the thematic material in different guises. The recapitulation presents the first theme, verbatim, as it was in the exposition. The second theme, however, changes the mode to major. The return alternates the marimba on the theme with the winds playing the theme in augmentation. The marimba quietly ends the movement with an ascending and descending arpeggiated passage. The second movement is a chaconne with eight variations. The marimba states a rather haunting chorale-like melody in Bb minor. The first variation features the low brass on the chaconne theme with the marimba on the variation. Variation II uses marimba, clarinet, bells, and vibraphone and Variation III uses marimba, oboe, and horns. Cascading muted brass against the augmented chaconne theme in the flutes and clarinets are indicative of Variation IV. Variation V changes the slow pace to fast using marimba, brass, timpani, and bells. A haunting Variation VI utilizes bowed marimba on the chaconne theme accompanied by piano and bells. Variation VII features the low brass on the chaconne theme against triplets in the upper brass. Rolled arpeggiated chords highlight Variation VIII along with a solo alto saxophone on the second half of the variation. A somber coda brings the movement to a close. The third movement, like the first, is in sonata-rondo design and is cyclic, bringing back and combining the thematic material of the first and second movements. The first theme, in D-minor, is angular and spirited, accompanied by clarinets and tambourine (reminiscent of Mvt. I). The second theme brings back the second theme of the first movement followed by the return of the first theme, now accompanied by saxophones and tambourine. The development combines and works thematic material from all three movements of the concerto. The recapitulation begins with the bassoons on the first theme, followed by the horns/trumpets and finally, the marimba. The second theme brings back the chaconne of the second movement, this time in major with the marimba accompanying using rhythmic material taken from the first theme of the third movement. There is no formal return of the first theme. Instead, the marimba plays a cadenza in which the first theme material and the second movement chaconne are developed. A galloping presto (coda) follows, ending the movement in D major.

  • Specifications

    Name Concerto No. 2 by David R. Gillingham
    Brand C. Alan Publications
    Model # 11852
    UPC Code [Error processing dynamic tag getCurrentAttribute('item', 'upccode') : record invtpart 25271 not found]
    Sold By each
    Number of Orchestra Bells
    Number of Crotales
    Number of Vibes
    Number of Chimes
    Number of Pans
    Number of Xylophones
    Number of Marimbas
    Number of Timpani Sets
    Includes Rhythm Section
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    Length of Warranty
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    DifficultyAdvanced +
    Number of Performers1
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    Author/ComposerGillingham, David R.
    Minimum Tube Size
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    Includes Tuning Slide Trigger
    Marching Tuba Type
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    Includes Head
    Is Mountable
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    Is Tiltable
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    Is Height Adjustable 
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    Synth Stand Type
    State List!None!
    Jingle Rows 
    Compatible With5.0 Octave Marimba (Low C2)
  • Returns & Shipping


    Because of copyright issues, we cannot accept returns on sheet music, books, audio CDs, and DVDs. Thanks for your understanding. Official Return Policy


    Every single order that goes out the door has a tracking number that will be emailed to you, and all of it is completely insured. Everything is carefully packed by hand - we know just how delicate this stuff can be, and how important it is to you.

    We ship from centrally-located Dallas, Texas. Howdy y'all!

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